Press & festival kit

UNSLOP | THE MUSICAL

A film by Leo Blume

5 min 21 s · English, Portuguese subtitles being prepared · 2026 · Created for the Higgsfield Global Film Festival.

One person wrote the story and the songs, directed and edited — five characters, three songs, five minutes.

Watch the film on YouTube ↗ Step into the room — unslop.art →

Quick facts

Title: UNSLOP | THE MUSICAL
A film by: Leo Blume (Leonardo Blume in formal credits)
Running time: 5 min 21 s
Year: 2026
Language: English · Portuguese subtitles being prepared
Form: AI-made short musical film · five characters · three original songs
Country: Brazil
Production: NeoCortex Studio
Made for: Higgsfield Global Film Festival
Watch: youtube.com/watch?v=pEGh5Lib3qY ↗

Logline & synopsis

Logline

At the Cyvora Music Festival an AI band believes it has already won, a protest asks who gets named, and a veteran musician asks everyone to stay in the room — a five-minute musical that refuses an easy answer.

Short synopsis (≈60 words)

SLOP.ai, an AI band, takes the stage at the Cyvora Music Festival convinced it has already won. Beyond the stage, a protest led by Ro-AN asks who gets named: permission, credit, cost. Between them stands Adam HIL, a veteran musician with a Fender, asking everyone to stay in the room. Three original songs carry the argument; the film keeps the question open.

Long synopsis (≈150 words)

UNSLOP | THE MUSICAL is a five-minute musical film set at the fictional Cyvora Music Festival. SLOP.ai — Vetkis, Luah and Yuna — is an AI band that believes it has already won: Vetkis reads the audience through her monocle, Luah directs light and atmosphere, Yuna runs the console. Beyond the stage, a protest movement led by Ro-AN asks one question: who gets named? Her song, “Who Gets Named?,” puts permission, credit and cost on stage, and the film takes her seriously — she is not a villain, and she is not converted. Between the two sides stands Adam HIL, a veteran musician with a Fender, whose song “Stay in the Room” does not demand agreement; it offers to keep talking. Three original songs, five characters and a confrontation that refuses an easy answer: the absence of AI does not certify an ethical process, and the use of AI does not remove responsibility.

Five characters

Three of them are the band, SLOP.ai. One leads the protest. One keeps the room open.

SLOP.ai — the band

Vetkis

SLOP.ai · reads the audience through her monocle

The face of SLOP.ai's certainty: she walks on stage already believing the band has won.

Luah

SLOP.ai · directs light and atmosphere from her wristband

Lasers, haze and LED — the atmosphere of the show is her instrument, and it is never neutral.

Yuna

SLOP.ai · runs the console: MIDI, tracks, filters, robot musicians

Every track, filter and robot musician on stage passes through her hands.

The protest

Ro-AN

Asks about permission, credit and consequences

The voice of the protest. Her song is “Who Gets Named?” — she is not a villain, and the film does not convert her.

The human in the loop

Adam HIL

Keeps everyone in the same room

A veteran musician with a Fender who refuses to leave the argument. His song is “Stay in the Room.” HIL stands for Human In the Loop, as the film's own credits spell out.

Three original songs

All three were created with Suno under Leonardo Blume's direction and finished in Logic Pro and iZotope. The versions in the film are edits made to fit five minutes; the full songs are longer.

We Already Won — SLOP.ai

The band's opening statement.

in the film from 0:00Hear it in the film ↗
Who Gets Named? — Ro-AN

The protest's question, sung.

in the film from 1:58Hear it in the film ↗
Stay in the Room — Adam HIL

An invitation, not a verdict.

in the film from 3:41Hear it in the film ↗

Credits

Every tool is named: that is part of the credit, not a footnote.

Story, characters, original songs, direction and editing: Leonardo Blume
Development: Buzz · Blume Stage Director (BSD)
Music & audio finishing: Suno · Logic Pro · iZotope
Visual generation: Higgsfield
Editing & finishing: Final Cut Pro

All digital actors and songs were created using AI systems under Leonardo Blume's creative direction. Terminal sequences: typography and motion graphics.

As credited on screen

The film's closing terminal lists these roles in English. They are reproduced here as they appear.

UNSLOP | THE MUSICAL

Written, Directed and Produced by
Leonardo Blume

NeoCortex Studio

CREATIVE & TECHNICAL CREDITS
All roles by Leonardo Blume

Story & Screenplay
Music & Lyrics
Musical Direction
Character Creation & Casting
Art Direction & Production Design
Virtual Cinematography
Animation & Performance Direction
Editing & Color Grading
Sound Design & Final Mix
AI Creative Direction

SONGS
We Already Won | SLOP.ai
Who Gets Named? | Ro-AN
Stay in the Room | Adam HIL

Adam H.I.L.: Human In the Loop

All digital actors and songs and story created by Leonardo Blume.
All songs and characters are 100% created in AI systems.

NeoCortex Studio

The author

Leo Blume

Physician · Musician · Filmmaker · Blumenau, Brazil

Formal credits: Leonardo Blume

Approved quote

“The tools generated the performances. I remain responsible for the story and the choices.”

His working rule, in his own words: “If it isn't fun, it's wrong.”

The story behind the film is being gathered for a documentary.

Short bio (≈50 words)

Leo Blume is a physician, musician and filmmaker based in Blumenau, Brazil. Between medicine and the music that never left him, he found in AI a way to bring an imagined world to the screen. UNSLOP | THE MUSICAL is his solo-authored film: story, songs, direction and editing are his.

Long bio (≈120 words)

Leo Blume — Leonardo Blume in formal credits — is a physician, musician and filmmaker based in Blumenau, Brazil. Between medicine and the music that never left him, he found in AI a way to bring an imagined world to the screen. UNSLOP | THE MUSICAL grew through writing, composing, listening, failed attempts, unexpected discoveries and hundreds of creative decisions: one person writing the story and the songs, directing and editing, across five characters and three original songs. Every tool is named in the credits — visuals generated with Higgsfield, songs created with Suno and finished in Logic Pro and iZotope, editing in Final Cut Pro. His position is the film's: the absence of AI does not certify an ethical process, and the use of AI does not remove responsibility.

Downloads

Click a size to save the file. The posters carry the title lettering; the key art is the same image without it. The stills are frames from the finished film.

Image credit: UNSLOP | THE MUSICAL · Leo Blume / NeoCortex Studio.